May 20, 2014
No cloud rains on Village Theatre’s latest parade.
In its last production of the 2014-2015 season, the regional theater brings “Funny Girl” to the stage in all its roaring glory. Recounting the life of vaudeville and Broadway star Fanny Brice, the 1964 musical (music by Jule Styne, lyrics by Bob Merrill and book by Isobel Lennart) takes the audience on a whirlwind, rags-to-riches journey of Brice’s life.
The classic story, with Brice famously portrayed by Barbra Streisand on stage and screen, is well-known and I should note immediately that I find it lackluster. Struggling, gutsy girl meets boy. Gutsy girl struggles less, and then weds boy. Boy turns rotten. Girl stays gutsy.
May 13, 2014
The May 15 return of “Funny Girl” to Village Theatre brings milestones behind the scenes.
Issaquah’s regional professional theater has kept much of the same talent since 1993, the last time it put on the musical featuring the life and career of a Broadway star set in the early 20th century.
But those people at the helm of the lavishly involved show bring decades more experience to this year’s production. Both the costume designer and the master scenic artist worked on the show 20 years ago, and for everything that has stayed the same, they have seen many things change.
March 25, 2014
Somewhere between the song about erectile dysfunction and the giant painted backdrop of the Matterhorn, I wondered where “The Tutor” lost its way.
The new show at Village Theatre, which opened March 20, begins interestingly enough. It tells the story of Edmund, the titular tutor, who teaches dumb rich kids to allow constant work on his never-finished novel. Things take their inevitable turn when he lands a gig tutoring Sweetie, a rebellious teenager who provides just the right spark to loosen Edmund’s creativity.
Developed as part of the Village Originals Series of New Musicals, “The Tutor” fell flat after a promising start.
January 28, 2014
Much of the success of Village Theatre’s latest production, “The Foreigner,” rides on the shoulders of actor Erik Gratton. Or, dare I say, his face?
When he first shuffles on set, Gratton must be channeling Droopy from the 1940s MGM cartoons. That he can maintain that hang-dog look while co-star Patrick Phillips prattles on, laying the background for the plot, lets the audience know they’re in for something special.
In a play, written by Larry Shue, filled with over-the-top characters from the early ’80s South, Gratton’s interaction with them hinges upon his successful take of a man of a thousand faces.
December 3, 2013
For the cast and crew putting the final touches on this month’s “White Christmas” musical at Issaquah High School, one of the most enjoyable parts is creating a performance that can be enjoyed by all age groups.
“The thing that makes it so engaging for so many people is everybody knows these songs,” said Holly Whiting, who’s directing her ninth musical at IHS. “These songs are old enough that every generation that’s going to be attending this program is going to be familiar with the music.
“And I think we all have pretty good, happy memories attached to a lot of these songs.”
November 12, 2013
“Les Misérables” shines in Village Theatre, though the production’s eager whimsy whisks away some wonder.
The opening baritone notes of the French chain gang song “Look Down” sets an unshakable tone of dejection and resilience, the two largest themes of the prestigious production. Following protagonist Jean Valjean’s release from an unjust imprisonment, “Les Misérables” tells a story of love, sin, passion and redemption through decades of French industrialization and revolution.
With such a large male cast, the show’s strength rests on the sheer skill of the singers. What makes it great is the level of emotion that the players, particularly Greg Stone, as Jean Valjean, and Eric Polani Jensen, as the pursuing policeman Javert, are able to give to the audience. They deliver the age’s restlessness and confusion in the face of social and personal change.
May 14, 2013
It is a shame so many have experienced “Chicago” the musical in the form of the award-winning 2002 movie. If there is one thing Village Theatre’s new show proves, it is the real heart of the piece demands to be set on a stage with many flashing lights and an enthralled audience. Through that awareness, the cast and crew of “Chicago” bring a wickedly lively spectacle to Front Street.
March 19, 2013
Life is a journey. The consequences of choices we make and events that occur determine the paths we travel. Rarely is the objective the journey’s finish, rather it’s growing from the experiences along the way.
Such is the metaphor examined in Village Theatre’s original musical, “Trails.”
It’s a simple tale of two 30-something friends, Seth and Mike, fulfilling a childhood promise to hike the Appalachian Trail while they confront love, loss and growing up.
March 12, 2013
When Village Theatre announces a new season, tucked in among the productions is usually something original that will have audiences eager to be the first to experience.
Hoping to follow in the footsteps of other recent original musicals with their roots in Issaquah, such as “Next to Normal” and “Million Dollar Quartet,” comes “Trails,” opening March 14.
“Trails” debuted with its first reading during Village Theatre’s 2011 season’s Festival of New Musicals.
January 22, 2013
To enjoy some of the finer things in life, there are rules. For example:
- The first rule of Fight Club is you do not talk about Fight Club.
- What happens in Vegas, stays in Vegas.
- And, do not reveal the plot of “The Mousetrap.”
Each has its own reason to remain spoiler free. Village Theatre hopes its patrons adhere to the latter so subsequent audiences can enjoy its latest production, Agatha Christie’s “The Mousetrap.”
What started as an 80th birthday tribute written for Queen Elizabeth in 1947, Agatha Christie thought her radio broadcast, “Three Blind Mice,” adapted for stage would have an uneventful eight-month run, tops.