Lady killers — How two men handle the women in their lives delivers the laughs in ‘No Way to Treat a Lady’
March 25, 2015
Audiences will be excited that Village Theatre veteran director Steve Tomkins was able to cross off another production from his bucket list — this time, one of the first productions in the Village Originals program in 1999, “No Way to Treat a Lady.”
Adapted from a William Goldman novel, Douglas J. Cohen penned a tale of Christopher “Kit” Gill and Morris Brummel, who are both having mommy issues. How they approach their problems is at the core of the musical.
January 27, 2015
In 1873, back before anyone had successfully accomplished the feat, Jules Verne envisioned what it would take to circumvent the globe in a limited time frame. Read more
November 18, 2014
Village Theatre knows spectacle.
Once again, the Issaquah company has unveiled a visually stunning production in its latest musical, “Mary Poppins.” Every aspect proved to be a feast for the eyes and ears, as Village Theatre spared no expense to bring the magic of the Disney production to the stage.
Installation of a flight system to help a nanny fly? Check. Countless, colorful costume changes? Check. Magical props that prove to have a life of their own? Check. Impressive choreography helping bring memorable Disney classic songs to life? Check.
September 23, 2014
Village Theatre begins its season at the top.
“In the Heights,” a rousing, energetic feature about a largely Dominican-American neighborhood in New York City, opened the 2014-2015 season with a raucous performance Sept. 18.
Though the story itself relies heavily on old “gotta-get-outta-here” tropes and steers well clear of anything approaching the gritty reality of living in an urban environment, the spirit of the music, the talent of the cast and exuberance of the dance brightly shines.
May 20, 2014
No cloud rains on Village Theatre’s latest parade.
In its last production of the 2014-2015 season, the regional theater brings “Funny Girl” to the stage in all its roaring glory. Recounting the life of vaudeville and Broadway star Fanny Brice, the 1964 musical (music by Jule Styne, lyrics by Bob Merrill and book by Isobel Lennart) takes the audience on a whirlwind, rags-to-riches journey of Brice’s life.
The classic story, with Brice famously portrayed by Barbra Streisand on stage and screen, is well-known and I should note immediately that I find it lackluster. Struggling, gutsy girl meets boy. Gutsy girl struggles less, and then weds boy. Boy turns rotten. Girl stays gutsy.
May 13, 2014
The May 15 return of “Funny Girl” to Village Theatre brings milestones behind the scenes.
Issaquah’s regional professional theater has kept much of the same talent since 1993, the last time it put on the musical featuring the life and career of a Broadway star set in the early 20th century.
But those people at the helm of the lavishly involved show bring decades more experience to this year’s production. Both the costume designer and the master scenic artist worked on the show 20 years ago, and for everything that has stayed the same, they have seen many things change.
March 25, 2014
Somewhere between the song about erectile dysfunction and the giant painted backdrop of the Matterhorn, I wondered where “The Tutor” lost its way.
The new show at Village Theatre, which opened March 20, begins interestingly enough. It tells the story of Edmund, the titular tutor, who teaches dumb rich kids to allow constant work on his never-finished novel. Things take their inevitable turn when he lands a gig tutoring Sweetie, a rebellious teenager who provides just the right spark to loosen Edmund’s creativity.
Developed as part of the Village Originals Series of New Musicals, “The Tutor” fell flat after a promising start.
January 28, 2014
Much of the success of Village Theatre’s latest production, “The Foreigner,” rides on the shoulders of actor Erik Gratton. Or, dare I say, his face?
When he first shuffles on set, Gratton must be channeling Droopy from the 1940s MGM cartoons. That he can maintain that hang-dog look while co-star Patrick Phillips prattles on, laying the background for the plot, lets the audience know they’re in for something special.
In a play, written by Larry Shue, filled with over-the-top characters from the early ’80s South, Gratton’s interaction with them hinges upon his successful take of a man of a thousand faces.
December 3, 2013
For the cast and crew putting the final touches on this month’s “White Christmas” musical at Issaquah High School, one of the most enjoyable parts is creating a performance that can be enjoyed by all age groups.
“The thing that makes it so engaging for so many people is everybody knows these songs,” said Holly Whiting, who’s directing her ninth musical at IHS. “These songs are old enough that every generation that’s going to be attending this program is going to be familiar with the music.
“And I think we all have pretty good, happy memories attached to a lot of these songs.”
November 12, 2013
“Les Misérables” shines in Village Theatre, though the production’s eager whimsy whisks away some wonder.
The opening baritone notes of the French chain gang song “Look Down” sets an unshakable tone of dejection and resilience, the two largest themes of the prestigious production. Following protagonist Jean Valjean’s release from an unjust imprisonment, “Les Misérables” tells a story of love, sin, passion and redemption through decades of French industrialization and revolution.
With such a large male cast, the show’s strength rests on the sheer skill of the singers. What makes it great is the level of emotion that the players, particularly Greg Stone, as Jean Valjean, and Eric Polani Jensen, as the pursuing policeman Javert, are able to give to the audience. They deliver the age’s restlessness and confusion in the face of social and personal change.