January 26, 2009
Sumptuous. Delightful. Exquisite. Decadent.
That’s the sets, the dresses, the cast and the lines.
“The Importance of Being Earnest” is deeply shallow and shallowly deep. And that makes it a lot of fun.
But this isn’t a musical. There’s no singing and there’s no dancing. If you go, you’re going to have to work for this one.
But “Earnest” is totally worth it, so pay close attention.
There are three acts, not two. So, when the first interval happens, it’s a surprise that left many people wondering, how can it already be halfway through? Also, those two intervals are not very long, which is amazing, because that’s when the crew changes the sets.
A city house becomes a country garden becomes the inside of the country home in nothing flat. And all three of those places are gorgeous in their simplicity. Read more
December 8, 2008
Whether you’re an annual viewer, an occasional ticket holder or a newcomer, young or old, the Pacific Northwest Ballet’s “Nutcracker” is a feast of wonderment for the eyes and ears.
This year’s 25th anniversary production is no exception. McCaw Hall itself drips with holiday magic and the possibility that makes this season so bright.
But it’s truly the performers who bring “Nutcracker” to life.It’s hard not to feel wonderment as the rich costumes and sets fill the stage and as Clara’s dreams transport her to other worlds.
It’s a timeless story created by PNB Founding Artistic Director Kent Stowell and world-famous children’s author and illustrator Maurice Sendak (“Where the Wild Things Are”) that will have Seattle’s “Nutcracker” celebrating its 1,000 performance Christmas Eve. Read more
November 18, 2008
It doesn’t matter if you love the story from your childhood, barely remember it or only recall the 1980s’ television series (starring Ron Perlman and Linda Hamilton), you shouldn’t miss Village Theatre’s latest creation, “Beauty and the Beast.”
Mesmerizing, enchanting, joyful — what a perfect choice for this year’s holiday production!
Jennifer Paz is an exciting and fun Belle. She brings a strong voice, abundant emotion and lots of spunk to this traditional story about love and seeing people for who they are on the inside.
Maurice (John X. Deveney) gives a touching performance as her sweet and loving father.
And there’s nothing more heart wrenching than a broken Beast (Eric Polani Jensen) as he falls to his knees, choking out the words of “If I Can’t Love Her” at the end of Act 1. Bring a hankie for this number.But the name of this play should be changed to “Lumiere and the Beast’s Other Wonderful Inanimate Objects,” because they truly steal the show.
September 23, 2008
Village Theatre’s “Saint Heaven” goes to the past and comes up with a soul-stirring new musical that will leave you wanting to hear more.
Set in the fictional, rundown mining town of Saint Heaven, Ky., during the 1950s, the musical tests its characters’ strength of faith as they sit on the cusp of drastic changes relating to medicine, religion and interracial relationships in American society.
Its main character, Thomas Rivers, played by Allan Snyder, returns to what he perceives as his backward hometown after his father, Thomas Rivers Sr., the town’s doctor, dies unexpectedly.
Rivers returns to shut down his father’s practice and leave. But his childhood friends and a passionate young woman, Eshie Willington, played by Tanesha Ross, have more in store for him.
Willington’s passion and misunderstood “gift,” which is actually epilepsy, is the driving force prolonging Rivers’ stay.
Snyder excels in his role as both a hero and villain as he confronts his jaded memory of his father and the demons he thought he Read more