November 22, 2011
Thematically, it’s a big play filled with moral questions and, as the name implies, deliberate moral and thematic ambiguities.
In terms of production, it’s tiny, with only four actors. For this production, the sets are minimal as well, consisting of a lone desk or a bench.
It’s being staged in Skyline High School’s Delphi Theater, its black box or experimental theater. The audience sits very close to the stage. And it’s all of these factors that are turning the school’s production of John Patrick Shanley’s “Doubt: A Parable” into a noteworthy experience for the students involved.
“They are all under the microscope when they are onstage,” said the play’s director, Skyline drama teacher James Henderson.
“There’s a lot more focus on the acting,” said senior Alexander Beuchat, 18, adding the audience will be able see every move each actor makes.
Lucillia Nkinsi, 14, a freshman, agreed. She said unlike bigger productions — such as “Grease,” the school’s next big musical — there is simply no place to hide onstage and it’s very tough to cover up a mistake. When you are onstage during the smaller play, she added, all eyes are on you.
August 9, 2011
The summertime Festival of New Musicals at Village Theatre is a laboratory to test original musicals before audiences.
Often, selections from the festival re-emerge later at the Francis J. Gaudette Theatre, or Mainstage, and sometimes on Broadway.
The festival introduced audiences to “Next to Normal” precursor “Feeling Electric” and “Million Dollar Quartet” before the musicals carted off Tony Awards on Broadway. “Next to Normal” also garnered the Pulitzer Prize for Drama, a rarity for musicals.
The recent Mainstage productions “Anne of Green Gables” and “Iron Curtain” debuted to Issaquah audiences at the festival. So, too, did “Take Me America” and “It Shoulda Been You” — Mainstage offerings in the 2011-12 theater season.
July 2, 2011
Discover 20 reasons to love Issaquah, from the highest Tiger Mountain peak to the Lake Sammamish shoreline, and much more in between. The community includes icons and traits not found anywhere else, all in a postcard-perfect setting. The unique qualities — Issa-qualities? — start at the city’s name and extend into every nook and neighborhood. (The lineup is not arranged in a particular order, because ranking the city’s pre-eminent qualities seems so unfair.)
The annual salmon-centric celebration is stitched into the city’s fabric. Salmon Days serves as a last hurrah before autumn, a touchstone for old-timers and a magnet for tourists. The street fair consistently ranks among the top destinations in the Evergreen State and, for a time last year, as the best festival on earth — in the $250,000-to-$749,000 budget category, anyway.
The majestic title for the forested peaks surrounding the city, the Issaquah Alps, is a catchall term for Cougar, Squak and Tiger mountains. (Credit the late mountaineer and conservationist Harvey Manning for the sobriquet.) The setting is a playground for outdoors enthusiasts. Trails — some official and others less so — for hikers, bikers and equestrians crisscross the mountains, like haphazard tic-tac-toe patterns.
May 17, 2011
The tale, so familiar to believers and nonbelievers alike, is upended as soon as “Jesus Christ Superstar” opens.
The apostles scale a chain-link fence and enter a fascist alternate reality steeped in modern dress and slang.
“Jesus Christ Superstar” is more Lady Gaga’s “Judas” than Leonardo da Vinci’s “The Last Supper” in Village Theatre’s just-opened production. The monumental rock opera runs through July 3 and closes the theater’s 2010-11 season.
In the Issaquah playhouse’s rendition, the greatest story ever told trades robes and sandals for bandanas and drainpipe jeans, and from performance to performance, trades actors in the lead roles.
May 3, 2011
Village Theatre re-imagines ‘Jesus Christ Superstar’
“Jesus Christ Superstar” at Village Theatre is a reboot — New Testament 2.0 for theater audiences raised since the original run debuted on Broadway 40 years ago.
The latest outing at the Issaquah playhouse trades the ancient setting for a gritty alternate reality similar to modern times, sheds the robes and sandals, and re-imagines the apostles as hipsters in horn-rimmed glasses and scarves. The storyline about Jesus Christ’s last days and crucifixion, however, remains familiar.
The esteemed musical — billed as a rock opera since the initial album came out in the early ’70s — closes the Village Theatre season. “Jesus Christ Superstar” opens May 11.
Michael K. Lee, a Los Angeles-based actor, and local actor Aaron Finley star as the title character and Judas. Lee and Finley plan to alternate the roles from show to show — a rarity for the biblical musical. So, a theatergoer catching a Saturday matinee and a Saturday night performance could see the actors switch in the same day.
March 1, 2011
Something is not quite right about the Goodman family.
The bright and chipper matriarch, Diana, bounds to the breakfast table after a sleepless night to assemble enough sandwiches to supply a church picnic. Only, rather than the table, Diana uses the floor.
“Next to Normal” drops the pretense in the opening moments, as the Goodmans’ song about another ordinary day morphs into a call for help. Indeed, as patriarch Dan (Asa Somers) notes in the opening number, the family is “living on a latte and a prayer” amid the domestic tumult.
“Next to Normal” plumbs the mental illness afflicting Diana and unflinchingly details the corrosive effects the disease has on a suburban family. The subject matter sounds bleak and, no, the musical does not sugarcoat or recoil from the more unpleasant moments in the unending struggle against mental illness.
“Next to Normal” earned Tony Awards by the sackful and a Pulitzer Prize for Drama. Beneath the hardware is a musical unlike others in recent memory.
“Next to Normal” precursor “Feeling Electric” received tune-ups at Village Theatre in Issaquah. Village Theatre alumnus and Issaquah High School grad Brian Yorkey is responsible for the searing book and lyrics.
February 15, 2011
Musicals nurtured at Issaquah theater charm audiences and rack up awards in the Big Apple
The brick-and-glass theater along a fashionable street in Oslo, Norway, seems like a strange place to re-create Yankee suburbia.
Onstage, “Next to Normal” — a rock musical fostered in Issaquah — is about to be performed. The story about a suburban — and quite American — family straining against mental illness has been translated into Norwegian for the international premiere.
The debut last September marked a milestone for the musical. “Next to Normal” had already stormed Broadway — earning Tony Awards and the 2010 Pulitzer Prize for Drama in the process.
Before the accolades and Oslo, “Next to Normal” emerged in a Village Theatre program designed to foster original musicals.
The long-running program has cemented the reputation of the downtown Issaquah playhouse as a cradle for Broadway.
Village Theatre cultivated “Next to Normal” and the jukebox musical “Million Dollar Quartet” from unpolished ideas to splashy Broadway musicals in recent years.
February 15, 2011
‘Next to Normal’ tour is homecoming for Issaquah native Brian Yorkey
Long before the Tony Awards and the Pulitzer Prize, and longer still before director Rob Reiner indicated interest in a possible film adaptation, the blockbuster musical “Next to Normal” originated as a barebones reading at Village Theatre.
Now, almost a decade and a cartful of statuettes later, the national “Next to Normal” tour is about to reach The 5th Avenue Theatre in Seattle. The musical opens Feb. 22.
The opening represents a homecoming for the author and lyricist, Issaquah native and Issaquah High School graduate Brian Yorkey. “Next to Normal” precursor “Feeling Electric” received a reading at the 2002 Festival of New Musicals and a 2005 workshop at the downtown Issaquah playhouse.
“So much of my theatrical life is in Seattle, and people know my work more as a director and from other shows, and for them to have a chance to see ‘Next to Normal’ — which is maybe the thing that I’m proudest of that I’ve done — is really exciting for me,” Yorkey said.
The rock musical about a family on the edge and tackling mental illness opened on Broadway in early 2009. Then, came a cavalcade of honors for show: Tonys for the lead actress, score and orchestrations; a Pulitzer Prize for Drama; and a national tour.
February 15, 2011
Actress Alice Ripley cries a monsoon in each “Next to Normal” performance as suburban mom Diana Goodman.
The lead character suffers from bipolar disorder, but electroshock therapy and pills, pills, pills cannot quiet the illness. Ripley has occupied the challenging role since “Next to Normal” debuted Off Broadway in early 2008 and earned a Tony Award for Best Actress in a Musical for the Broadway staging the following year.
“I see ‘Next to Normal’ as a story about every family that has experienced loss and grief, because that is what ‘Next to Normal’ is about, in my view,” she said.
Ripley and the national “Next to Normal” tour reach The 5th Avenue Theatre in Seattle on Feb. 22.
“Alice did what you always hope an actor does with such a vital role in a new show,” Issaquah native and “Next to Normal” author-lyricist Brian Yorkey said. “You want an actor to come into the rehearsal room and pick up the script and say, ‘OK, this part’s mine. I am this person.’”
Yorkey and composer Tom Kitt kept Ripley in mind as “Next to Normal” and the precursor “Feeling Electric” ricocheted from workshop to workshop.
“Initially, I am drawn to raw material. Then, I saturate myself with facts from the world I am entering — her story,” Ripley said. “After that, anything goes. Actors must use their imaginations to fill in the gaps of information.”
“Next to Normal” demands a nonstop stream of combustible emotions from Ripley in each performance. The actress has left a long-lasting imprimatur after hundreds of outings as Diana.
“Since Diana lives in me and I am an ever-changing human, it stands to reason that we have both grown and changed in the four years that I have known her,” Ripley said.
Emma Hunton portrays troubled daughter Natalie in the national tour. The role puts mother and daughter at loggerheads.
“It’s like watching a master class, because Alice is one of those actors who will challenge you onstage,” Hunton said.
The unfiltered look at mental illness — and the anguish the Goodman family endures — has imparted lessons to Ripley’s “Next to Normal” costars.
“With Alice, it’s sort of unexpected. You never know what you’re going to get, which keeps you on your toes and makes the show really fresh,” Hunton said. “If I’ve learned anything from her, it’s never to do the same thing twice.”
January 8, 2011
NEW — 2 p.m. Jan. 8, 2011
Brian Yorkey takes to the stage Monday to discuss the Pulitzer Prize-winning musical “Next to Normal” — weeks before the national tour reaches Seattle.
Yorkey, a former Village Theatre associate artistic director and Issaquah High School alumnus, is scheduled to participate in Spotlight Night at The 5th Avenue Theatre.
David Armstrong, 5th Avenue Theatre executive producer and artistic director, hosts the Q&A session.
Yorkey appears at the Seattle theater to discuss the rock musical “Next to Normal” — a dysfunctional-family-drama about a bipolar-disorder-afflicted housewife.
The piece earned Yorkey and composer Tom Kitt the Pulitzer Prize for Drama — a rarity reserved for only a handful of musicals — early last year.